DirectWave is one of the most complete VSTi samplers currently available.
It loads and edits most of the existing sound formats out there (WAV (any), SF2 (Soundfont), AKP (Akai), Propellerheads Recycle, Native Instruments Battery, Kontakt *(nki), GIGA *(gig) & eMagic EXS24, ...) and it can even sample your existing VSTi instruments.
DirectWave Player is now included for
free in all versions of FL Studio 8
16 part multitimbral, 32-bit VSTi sampler
128 Voice Polyphony
128 programs
unlimited zones per program
All samplerates supported
Realtime SINC-64 point interpolation (HQ Audiophile)
Poly, Mono, Legato operation, with glide / auto mode.
2*24 dB 5 mode filters serial or parallelFlexible 16 slot freely assignable Modulation Matrix
2 mod. ADSR envelopes, 2 zone-independent mod. LFOs 2 global program mod. LFOs
Automatable loop points, reverse loop points supported
Loop modes : fwd, one-shot, sustained, bounce looping
Automatable sample start offset (available as mod. destination parameters)
Built-in voice Insert FX with independent settings for each zone : ring mod. samplerate decimator, bitcrusher & phaser.
Built-in send effects : chorus, reverb, delay (with filtered feedback, sync to host tempo).
Independent send amounts per zone
Freely assignable 16 stereo outputs
Multi-editor with channel list, mixer, expression, modulation and pitchbend GUI controls
Built-in sample editor with destructive editing (cut / copy / paste / trim functions), loop finding tool, normalize, vertical / horizontal zooming, etc)
Realtime sampling / recording of whatever is connected to DirectWave inputs (needs modular host or host with assignable plug-in routing)
Record Threshold: sampling input will wait until signal peak arises (-40dB)
Built-in VSTi host to easily automate "sampling" of your vst instruments directly into DirectWave
Total Recall operation mode: DirectWave will enclose all the required sample data in the project files created by your host: it creates totally portable projects without worrying about needed sample files
Import: DWP (proprietary), WAV (any), SF2 (Soundfont), AKP (Akai), Propellerheads Recycle, Native Instruments Battery, Kontakt *(nki), GIGA *(gig) & eMagic EXS24
Several importing methods: built-in browsing, drag&drop, menu options
Built-in fast library browser list and tree-arranged menu program selector.
Zone editor with visual zone arrangement map and list with all zone properties
All program/zone parameters of all channels can be automated as VST parameters
Download:
DrumSynth Live is an updated version of the popular DrumSynth standalone created by Maxim Digital Audio.
DrumSynth Live features simultaneous support for 24 programmable real-time drum patches, each assigned to a separate key (C4 to B5).
You can morph dynamically from one drum patch to another - just select the patch to morph to and tweak the morph amount wheel.
In DrumSynth Live, sound is created by two noise generators and filtered by bandpass filters with incredible range - you can set anything from a single frequency (sine wave) to full white noise.
Technical Specifications
Cool interface
Create complete drumtracks in a single channel
Change properties according to the note velocity
'Sends' for your own send tracks
FL Studio comes with the demo of DrumSynth Live pre-installed. The demo version has all the functionality of the 'real' generator, although all channels using it are deleted when saving.
Download:
The DX-10 vsti-dxi is the VSTi version of the mda DX-10.
DX10 recreates the classic FM sound but with a much simpler and more intuitive interface than any DX synth, or any of their software imitations.
By using a harmonically rich modulating oscillator (with extra control in
the new version) only only one carrier and modulator produce a wide range of FM sounds typical of the later series of Yamaha DX synths such the DX-11 and TX-81Z.
Technical Specifications
New harmonic richness control
More intuitive to program than any other FM synth
+130 presets included
Download:
Like the transient beauty of Sakura (Japanese for Cherry Blossom), the sound of stringed instruments blossoms and fades. Image-Line brings you ‘Sakura’, the string physical modelling instrument, to express the delicacy and beauty of stringed sounds.
Virtual modelling in Sakura follows a 5 stage hanami-process. :
Contact - An impulse, the mechanical contact with the string, is first generated then shaped to simulate plucks, picks, scrapes, hammers, taps or humble fingers.
Vibration - Sakura’s dual string model then gives the operator control over a wide range of parameters such as damping, tension, positioning and string properties.
String interaction – The dual strings are then mixed, panned and enveloped to simulate interactions.
Resonance - The string/s vibration then interacts with an 8-resonator ‘body simulator’ to create the size, material and shape of the instrument
Acoustics - Virtual acoustic space is then simulated with chorus, delay and reverberation effects.
Sakura can reproduce the delicate pluck of a single string, a violins bowing or the sonorous resonance of a grand piano. Most importantly, the curious musician can take control of every aspect of the simulation to create fantastic instruments. Ever wanted to know what a 20 foot guitar sounded like? Or a bowed piano? Now you can find out, Sakura opens up a world of string modelling possibilities, why not download the Sakura demo and try it for yourself. The Sakurazensen is coming, be there to experience it.
Download:
Edison: an audio editor… as a plugin ... or standalone
Edison, the wave recorder/editor, will change forever the way you think about working with audio. It's a fully host-integrated audio editing and recording tool that loads into any VST compatible effects location and will then record or play audio from that position.
You may load as many instances of edison as you desire, in any number of mixer tracks or effects locations.
Key features:
Optimized for sampler use (sampler region, seamless looping)
Drumloop slicing (auto-slicing, slice manipulation)
Quick drag&drop support (between instances or to your sequencer/other plugins)
Various recording modes (start/stop with host, on audio input, can also work as transparent audio logger)
Time manipulation (time stretching/pitch shifting, scratching)
Effects: convolution reverb, blur, linear-phase equalization, ...
High-quality resampling
The smoothest spectral analysis display
Click-free editing
Full undo history
Intuitive editing with key feature tool-buttons
(Pascal) scripted manipulation of waveforms
Control surface support (FL Studio 8 version)
Download:
Gross Beat
Play with time! Gross Beat is a time manipulation effect designed for repetition and scratching effects. Gross beat is perfect for real-time or rendered gating, glitch, repeat, scratching and stutter performances. Gross Beat stores audio in a 2-bar rolling buffer under the control of 36 user definable time and volume envelopes, giving you unlimited creative control.
Key features:
Powerful MIDI controlled envelopes
2 bar audio buffer
Real time effect, perfect for live performance
36 volume/gating envelopes with user-controlled smoothing
Linked or independent volume & gating slot operation
A large number of creative presets ready to go
Download:
Maximus: Heavy weaponry for the loudness war.
Maximus will deliver transparent peak limiting and volume maximization without coloration of the processed sound. However, Maximus is much more than a pristine quality Mastering Maximizer, it's also a Compressor, Limiter, Noise Gate, Expander, Ducker and De-esser. Maximus excels equally well as a final mastering plugin or as a per-track effect. Lock and load.
Maximus offers 4 user definable compression curves and
complete visual analysis of the sound as it is processed.
Maximus will quickly become one of the most rewarding tools in your recording and mixing arsenal. Maximus applies level maximization via compression and/or limiting across three frequency bands, to enhance and improve the final track.
Used sparingly, Maximus raises the volume of the track without introducing unwanted distortion and ensures that the quieter parts, often lost in the mix, are more easily heard. Bass can be increased and higher frequencies sharpened. Selected elements of a mix, instruments or vocals for example, or complete tracks are given a professionally mastered 'presence'.
Key features:
3 independent user-definable Low Mid High (LMH) frequency bands.
Custom look-ahead for the LMH bands and Master compression envelopes.
4 compressors/limiter: One per LMH band plus a Master wide band compressor/limiter.
Each compressor has an infinitely variable, multipoint compression curve. Create any shaped knee or special effects (limiting, compression, gating or expansion)
Fully configurable. Any of the LMH or Master compressors can be bypassed to configure Maximus to suit any compression task
Two saturation types per LMH & Master bands, with independent gain
Mixing between the frequency dependent compressors and the master, perfect for parallel & NY-style compression
4 Independent stereo separation control per band
Download:
Ogun
Ogun can produce exceptionally rich metallic and shimmering timbres, although it's not limited to this genre. Ogun’s distinctive synthesis engine can generate more than 32,000 harmonics, modulated by high-level ‘harmonic mapping’ functions, that hand tonal control directly to the user. Try the VSTi demo and experience Ogun in your favorite host.
Key features:
Massive additive synthesis engine (up to 32,767 harmonics).
Realistic metallic timbres through harmonic randomization or timbre analysis (resynthesis).
Fast, precise tonal shaping through multipoint envelopes (of Sytrus fame).
Advanced Unison engine.
XY modulation pad for live expressive control.
Effects: Filter, Chorus, Delay, Reverb and EQ
Space-saving GUI.
Download:
If you've ever wondered why pro studios pay thousands to refurbish decades old synthesizers, just listen to SimSynth Live for the answer.
SimSynth Live captures the big multi-oscillator sound of a MiniMoog, and combines it with the warm, fat sound of Oberheim style SVF filters.
The result? Rich strings, wall to wall brass, and fat punchy basses. And we haven't forgotten techno sounds either. SimSynth Live uses a filter technique that gives the EMPH knob a sound you can crank.
Technical Specifications
3 oscillators, each with a dual (warm) mode effectively making 6 oscillators
Ring modulator
A dual SVF filter that programs like an old Oberheim SEM, (lets you mix lowpass, bandpass, and highpass)
Two discrete envelopes and an LFO.Stereo chorus effect, (in case 6 oscillators aren't warm enough)
Studio quality alias free rendering
FX Panel with EQ, Reverb, Phaser & Delay
FL Studio & VSTi versions included
Download:
Sytrus Hybrid Synthesizer - subtractive but addictive
A disruptive innovation in software synthesis, nothing else compares to the diversity Sytrus packs. FM, RM & Subtractive synthesis - have it all!
Sound engine
Meticulously crafted, Sytrus delivers ethereal lush pads, sonorous bells, scintillating highs or simply dirty grunge. The 6 user-definable operators can act as independent oscillators for subtractive synthesis, cross-modulate to create complex FM (Frequency Modulation) or RM (Ring Modulation) synthesis or the 256 partial harmonic editor can be used to additively synthesize virtually any timbre you can imagine. With up to 64x oversampling Sytrus delivers 100% epic sound.
Effects
Sytrus features 3 independent, chainable, filter units, each containing an array of filters (13 types each with 5 cutoff slope settings) and integrated waveshaper (distortion processor).
The filter units are optionally followed by a Chorus, Delay & Reverb unit. 100% Flexibility.
Presets
With over 500 hand-picked presets Sytrus is ready to contribute to any genre immediately upon installation. Sounds cover - Arps, Bass, Bell, Brass, Chromatics, Drum, DX7, Experimental, FX, Guitar, Orchestral, Organ, Pad, Percussion, Piano, Plucked, Sequence, Synth, String, Wind. 100% inspiration.
Key features:
6 independent operators with total freedom on oscillator shaping
FM, RM, subtractive synthesis
Multipoint articulation with unique arpeggiator system
Fully controllable & automatable unison
Effects: 13 filter types, 3 band Parametric EQ, Phaser, Chorus, Filters
X/Y modulation control
Up to 64x oversampling (for high-quality FM synthesis)
Download:
Slicex uses advanced beat detection algorithms to slice song/percussion samples into pieces and make them independently playable from the Piano roll or controller.
If the wave file contains slice/region data this will be automatically used instead of the beat-detection algorithm. Slicex offers playback, reordering of slices and time-stretching capabilities optimized for drum loops. Related plugins are the Fruity Slicer and Edison.
Download:
It loads and edits most of the existing sound formats out there (WAV (any), SF2 (Soundfont), AKP (Akai), Propellerheads Recycle, Native Instruments Battery, Kontakt *(nki), GIGA *(gig) & eMagic EXS24, ...) and it can even sample your existing VSTi instruments.
DirectWave Player is now included for
free in all versions of FL Studio 8
16 part multitimbral, 32-bit VSTi sampler
128 Voice Polyphony
128 programs
unlimited zones per program
All samplerates supported
Realtime SINC-64 point interpolation (HQ Audiophile)
Poly, Mono, Legato operation, with glide / auto mode.
2*24 dB 5 mode filters serial or parallelFlexible 16 slot freely assignable Modulation Matrix
2 mod. ADSR envelopes, 2 zone-independent mod. LFOs 2 global program mod. LFOs
Automatable loop points, reverse loop points supported
Loop modes : fwd, one-shot, sustained, bounce looping
Automatable sample start offset (available as mod. destination parameters)
Built-in voice Insert FX with independent settings for each zone : ring mod. samplerate decimator, bitcrusher & phaser.
Built-in send effects : chorus, reverb, delay (with filtered feedback, sync to host tempo).
Independent send amounts per zone
Freely assignable 16 stereo outputs
Multi-editor with channel list, mixer, expression, modulation and pitchbend GUI controls
Built-in sample editor with destructive editing (cut / copy / paste / trim functions), loop finding tool, normalize, vertical / horizontal zooming, etc)
Realtime sampling / recording of whatever is connected to DirectWave inputs (needs modular host or host with assignable plug-in routing)
Record Threshold: sampling input will wait until signal peak arises (-40dB)
Built-in VSTi host to easily automate "sampling" of your vst instruments directly into DirectWave
Total Recall operation mode: DirectWave will enclose all the required sample data in the project files created by your host: it creates totally portable projects without worrying about needed sample files
Import: DWP (proprietary), WAV (any), SF2 (Soundfont), AKP (Akai), Propellerheads Recycle, Native Instruments Battery, Kontakt *(nki), GIGA *(gig) & eMagic EXS24
Several importing methods: built-in browsing, drag&drop, menu options
Built-in fast library browser list and tree-arranged menu program selector.
Zone editor with visual zone arrangement map and list with all zone properties
All program/zone parameters of all channels can be automated as VST parameters
Download:
http://rapidshare.com/files/289791806/Image.Line.DirectWave.v1.4.8-UNION.rar
DrumSynth Live is an updated version of the popular DrumSynth standalone created by Maxim Digital Audio.
DrumSynth Live features simultaneous support for 24 programmable real-time drum patches, each assigned to a separate key (C4 to B5).
You can morph dynamically from one drum patch to another - just select the patch to morph to and tweak the morph amount wheel.
In DrumSynth Live, sound is created by two noise generators and filtered by bandpass filters with incredible range - you can set anything from a single frequency (sine wave) to full white noise.
Technical Specifications
Cool interface
Create complete drumtracks in a single channel
Change properties according to the note velocity
'Sends' for your own send tracks
FL Studio comes with the demo of DrumSynth Live pre-installed. The demo version has all the functionality of the 'real' generator, although all channels using it are deleted when saving.
Download:
http://rapidshare.com/files/289791207/Image.Line.DrumSynth.Live.v1.1.15-UNION.rar
The DX-10 vsti-dxi is the VSTi version of the mda DX-10.
DX10 recreates the classic FM sound but with a much simpler and more intuitive interface than any DX synth, or any of their software imitations.
By using a harmonically rich modulating oscillator (with extra control in
the new version) only only one carrier and modulator produce a wide range of FM sounds typical of the later series of Yamaha DX synths such the DX-11 and TX-81Z.
Technical Specifications
New harmonic richness control
More intuitive to program than any other FM synth
+130 presets included
Download:
http://rapidshare.com/files/289790687/Image.Line.DX10.v1.1.11-UNION.rar
Like the transient beauty of Sakura (Japanese for Cherry Blossom), the sound of stringed instruments blossoms and fades. Image-Line brings you ‘Sakura’, the string physical modelling instrument, to express the delicacy and beauty of stringed sounds.
Virtual modelling in Sakura follows a 5 stage hanami-process. :
Contact - An impulse, the mechanical contact with the string, is first generated then shaped to simulate plucks, picks, scrapes, hammers, taps or humble fingers.
Vibration - Sakura’s dual string model then gives the operator control over a wide range of parameters such as damping, tension, positioning and string properties.
String interaction – The dual strings are then mixed, panned and enveloped to simulate interactions.
Resonance - The string/s vibration then interacts with an 8-resonator ‘body simulator’ to create the size, material and shape of the instrument
Acoustics - Virtual acoustic space is then simulated with chorus, delay and reverberation effects.
Sakura can reproduce the delicate pluck of a single string, a violins bowing or the sonorous resonance of a grand piano. Most importantly, the curious musician can take control of every aspect of the simulation to create fantastic instruments. Ever wanted to know what a 20 foot guitar sounded like? Or a bowed piano? Now you can find out, Sakura opens up a world of string modelling possibilities, why not download the Sakura demo and try it for yourself. The Sakurazensen is coming, be there to experience it.
Download:
http://rapidshare.com/files/289792900/Image.Line.Sakura.v1.0.3-UNION.rar
Edison: an audio editor… as a plugin ... or standalone
Edison, the wave recorder/editor, will change forever the way you think about working with audio. It's a fully host-integrated audio editing and recording tool that loads into any VST compatible effects location and will then record or play audio from that position.
You may load as many instances of edison as you desire, in any number of mixer tracks or effects locations.
Key features:
Optimized for sampler use (sampler region, seamless looping)
Drumloop slicing (auto-slicing, slice manipulation)
Quick drag&drop support (between instances or to your sequencer/other plugins)
Various recording modes (start/stop with host, on audio input, can also work as transparent audio logger)
Time manipulation (time stretching/pitch shifting, scratching)
Effects: convolution reverb, blur, linear-phase equalization, ...
High-quality resampling
The smoothest spectral analysis display
Click-free editing
Full undo history
Intuitive editing with key feature tool-buttons
(Pascal) scripted manipulation of waveforms
Control surface support (FL Studio 8 version)
Download:
http://rapidshare.com/files/289793035/Image.Line.Edison.v2.2-UNION.rar
Gross Beat
Play with time! Gross Beat is a time manipulation effect designed for repetition and scratching effects. Gross beat is perfect for real-time or rendered gating, glitch, repeat, scratching and stutter performances. Gross Beat stores audio in a 2-bar rolling buffer under the control of 36 user definable time and volume envelopes, giving you unlimited creative control.
Key features:
Powerful MIDI controlled envelopes
2 bar audio buffer
Real time effect, perfect for live performance
36 volume/gating envelopes with user-controlled smoothing
Linked or independent volume & gating slot operation
A large number of creative presets ready to go
Download:
http://rapidshare.com/files/289792195/Image.Line.Gross.Beat.v1.0.4-UNION.rar
Maximus: Heavy weaponry for the loudness war.
Maximus will deliver transparent peak limiting and volume maximization without coloration of the processed sound. However, Maximus is much more than a pristine quality Mastering Maximizer, it's also a Compressor, Limiter, Noise Gate, Expander, Ducker and De-esser. Maximus excels equally well as a final mastering plugin or as a per-track effect. Lock and load.
Maximus offers 4 user definable compression curves and
complete visual analysis of the sound as it is processed.
Maximus will quickly become one of the most rewarding tools in your recording and mixing arsenal. Maximus applies level maximization via compression and/or limiting across three frequency bands, to enhance and improve the final track.
Used sparingly, Maximus raises the volume of the track without introducing unwanted distortion and ensures that the quieter parts, often lost in the mix, are more easily heard. Bass can be increased and higher frequencies sharpened. Selected elements of a mix, instruments or vocals for example, or complete tracks are given a professionally mastered 'presence'.
Key features:
3 independent user-definable Low Mid High (LMH) frequency bands.
Custom look-ahead for the LMH bands and Master compression envelopes.
4 compressors/limiter: One per LMH band plus a Master wide band compressor/limiter.
Each compressor has an infinitely variable, multipoint compression curve. Create any shaped knee or special effects (limiting, compression, gating or expansion)
Fully configurable. Any of the LMH or Master compressors can be bypassed to configure Maximus to suit any compression task
Two saturation types per LMH & Master bands, with independent gain
Mixing between the frequency dependent compressors and the master, perfect for parallel & NY-style compression
4 Independent stereo separation control per band
Download:
http://rapidshare.com/files/289794080/Image.Line.Maximus.v1.0.7-UNION.rar
Ogun
Ogun can produce exceptionally rich metallic and shimmering timbres, although it's not limited to this genre. Ogun’s distinctive synthesis engine can generate more than 32,000 harmonics, modulated by high-level ‘harmonic mapping’ functions, that hand tonal control directly to the user. Try the VSTi demo and experience Ogun in your favorite host.
Key features:
Massive additive synthesis engine (up to 32,767 harmonics).
Realistic metallic timbres through harmonic randomization or timbre analysis (resynthesis).
Fast, precise tonal shaping through multipoint envelopes (of Sytrus fame).
Advanced Unison engine.
XY modulation pad for live expressive control.
Effects: Filter, Chorus, Delay, Reverb and EQ
Space-saving GUI.
Download:
http://rapidshare.com/files/289793468/Image.Line.Ogun.v1.1.4-UNION.rar
If you've ever wondered why pro studios pay thousands to refurbish decades old synthesizers, just listen to SimSynth Live for the answer.
SimSynth Live captures the big multi-oscillator sound of a MiniMoog, and combines it with the warm, fat sound of Oberheim style SVF filters.
The result? Rich strings, wall to wall brass, and fat punchy basses. And we haven't forgotten techno sounds either. SimSynth Live uses a filter technique that gives the EMPH knob a sound you can crank.
Technical Specifications
3 oscillators, each with a dual (warm) mode effectively making 6 oscillators
Ring modulator
A dual SVF filter that programs like an old Oberheim SEM, (lets you mix lowpass, bandpass, and highpass)
Two discrete envelopes and an LFO.Stereo chorus effect, (in case 6 oscillators aren't warm enough)
Studio quality alias free rendering
FX Panel with EQ, Reverb, Phaser & Delay
FL Studio & VSTi versions included
Download:
http://rapidshare.com/files/289792170/Image.Line.SimSynth.v1.1.14-UNION.rar
Sytrus Hybrid Synthesizer - subtractive but addictive
A disruptive innovation in software synthesis, nothing else compares to the diversity Sytrus packs. FM, RM & Subtractive synthesis - have it all!
Sound engine
Meticulously crafted, Sytrus delivers ethereal lush pads, sonorous bells, scintillating highs or simply dirty grunge. The 6 user-definable operators can act as independent oscillators for subtractive synthesis, cross-modulate to create complex FM (Frequency Modulation) or RM (Ring Modulation) synthesis or the 256 partial harmonic editor can be used to additively synthesize virtually any timbre you can imagine. With up to 64x oversampling Sytrus delivers 100% epic sound.
Effects
Sytrus features 3 independent, chainable, filter units, each containing an array of filters (13 types each with 5 cutoff slope settings) and integrated waveshaper (distortion processor).
The filter units are optionally followed by a Chorus, Delay & Reverb unit. 100% Flexibility.
Presets
With over 500 hand-picked presets Sytrus is ready to contribute to any genre immediately upon installation. Sounds cover - Arps, Bass, Bell, Brass, Chromatics, Drum, DX7, Experimental, FX, Guitar, Orchestral, Organ, Pad, Percussion, Piano, Plucked, Sequence, Synth, String, Wind. 100% inspiration.
Key features:
6 independent operators with total freedom on oscillator shaping
FM, RM, subtractive synthesis
Multipoint articulation with unique arpeggiator system
Fully controllable & automatable unison
Effects: 13 filter types, 3 band Parametric EQ, Phaser, Chorus, Filters
X/Y modulation control
Up to 64x oversampling (for high-quality FM synthesis)
Download:
http://rapidshare.com/files/289792350/Image.Line.Sytrus.v2.6.5-UNION.rar
Slicex uses advanced beat detection algorithms to slice song/percussion samples into pieces and make them independently playable from the Piano roll or controller.
If the wave file contains slice/region data this will be automatically used instead of the beat-detection algorithm. Slicex offers playback, reordering of slices and time-stretching capabilities optimized for drum loops. Related plugins are the Fruity Slicer and Edison.
Download:
http://rapidshare.com/files/289792828/Image.Line.Slicex.v1.0.5-UNION.rar
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