Voxengo GlissEQ Latest version: 2.9.1
GlissEQ is an analog-style equalizer in plug-in form. The most interesting thing GlissEQ
offers is its dynamic equalization performance. Using almost any existing equalizer, you
always get what you have set: e.g., if you specify a +6 dB boost at 100 Hz you get
exactly a +6 dB boost at 100 Hz, also visible on the spectrum analyser. GlissEQ offers a
slightly different approach. When you specify +6 dB at 100 Hz, you don't necessarily get
+6 dB of gain. Actual filter gain is adjusted dynamically according to the program
material you are filtering.
This `dynamic nature' of GlissEQ gives you a much more friendly, assisting filtering
experience. Boosting up the highs will not necessarily create the fatiguing effect of
overload. Instead, you will get a pleasant transient-emphasizing effect bringing life
and dimension to your track: thus, GlissEQ sounds simply musical.
This transient emphasis works for every frequency you tune the filter to: e.g., it can
be useful at the lower and the mid frequencies to give more punch to the track.
Moreover, the strength of transient emphasis and the overall filter gain adjustment can
be controlled with a special 'Dyn' control. In reality, this 'Dyn' control adds a whole
new dimension to the equalizer as you know it!
Beside this wonderful `dynamic nature' GlissEQ offers a built-in FFT spectrum analyzer.
Moreover, the spectrum of the track can be exported to any other instance of GlissEQ
thus making interchannel spectrum overlays possible. This can help you to free frequency
ranges in one track to allow the instrument in another track occupying these frequencies
breathe.
Features
Convenient user interface
Five filter bands
Eight filter types
Real-time spectrum analyzer
Interchannel spectrum overlays
High quality mode
Three dynamic modes
"A-to-B" comparisons
Factory presets
Mono-to-Stereo, Stereo-to-Stereo processing
Any sample rate is supported
Internal 64-bit processing
Native assembler DSP code
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Linplug CronoX VSTi v3.0.0
* Free Filter with new, continuously adjustable, modulatable filter-type.
* Loop Sampler Generator with individually modulatable loop-points and
start-point.
* Versatile architecture with 4 generator modules that are mixed into two
filters.
* Easy-Edit panel allowing preset browsing and quick access to main .. read more
synthesis parameters.
* Powerful, editable arpeggiator with up to 32 steps.
* Stereo and 5.1 support (2 generators, both filters and 3 of the effects
units can be mixed in 5.1 format, stored as part of the preset).
* Generator types are Oscillator, Time-Sampler, Wavetable (Schrader) and
Loop-Sampler.
* Analogue-modeled Oscillator Generator for real-time analog-style
synthesis.
* Time-Sampler with independent real-time time-stretching and
pitch-shifting.
* Wavetable (Schrader) Generator that offers wavetable-like operation
using any sample.
* Loop Sampler Generator, capable of loading up to 64 samples.
* Sampler Generators support audio formats including WAV and AIFF up to
24bit/96kHz.
* 2 analog-style multimode stereo filters with modulatable cutoff
frequency and resonance.
* 7 ADSFR-type envelopes for controlling output amplitudes and cutoff
frequencies, as well as two freely assignable Modulation Envelopes.
* 4 independent LFOs with various waveforms and midi-sync capabilities.
* LFO Waves have adjustable delay, attack and decay time, and
waveform-symmetry.
* Modulation Matrix with 10 routings for connecting 30 sources and 56
destinations.
* Fully recognizes Velocity, Aftertouch, Pitchbend, Modwheel and various
other MIDI controllers, and includes a MIDI Learn function for easy
controller assignment.
* 6 simultaneously available effect units, including various Delays,
Chorus, Phaser, Filter,Flanger, Gator, Stereo Enhancer, Parametric EQ
and Crusher.
* Mono/Polyphonic Portamento/Glide featuring "Fingered" mode, switchable
Constant Time/Constant Rate and Auto-Bend Modes.
* 32-voice polyphony (CPU dependent), sample-accurate, settings are saved
with the song.
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Muon Tau Pro Bassline Synthesizer VSTi v2.0
Tau Pro is more than just an acid bassline synthesiser. Its flexibility means that it is
equally happy delivering seriously chunky lead riffs, deep junglist sub-bass or dubby
textures.
FEATURES
Dual 64-bit waveform oscillators - 11 waveform shapes with 2x oversampling for totally
alias-free sound. Width modulation, sync & ring mod on all waveforms.
Multi-mode filter -18dB Classic, 24dB Hi-Q and 36dB Phat modes.
Built-in FX unit - warm overdrive, chorus, flange and delay effects.
Full MIDI control - fully assignable MIDI CCs mean you can just right click on the user
interface and link up to your hardware controller straight away.
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Rob Papen ConcreteF Blue VSTi v1.6.3b
Following the huge success of Albino, Rob Papen has teamed up with music software developer Jon Ayres to bring you his latest cross-fusion virtual synthesizer BLUE. This fresh new synth delivers FM Synthesis, Phase Distortion Synthesis, Wave Shaping Synthesis and Subtractive Synthesis is one creative combination! BLUE has six oscillators which can be connected in various ways, two analogue style modelled stereo filters, an enormous range of processing and modulation options and an incredibly powerful sequencer, all brought together with the inspirational Rob Papen presets covering a wide range of musical styles
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Admiral Quality L’il Poly Ana VSTi v1.14
Check out Poly-Ana’s features for a list of what’s unique about the Poly-Ana voice architecture. L’il Poly-Ana has each and every sound function that her big sister has, just with the voice controls removed.
POLY-ANA FEATURES:
* VST 2.4 compatible with 32 or 64 bit audio processing (backwards compatible with older versions of VST too!)
* Maximum 12 note polyphony featuring unison, voice detune and a unique poly-unison mode!
* Three oscillators per voice!
* Two filters per voice, 12/24 dB/Oct, LPF/HPF, can be run in parallel or in series allowing for additional multi-mode capability!
* Filter Resonance Modulation. Rarely offered on other synths!
* Stereo signal path throughout the voice. Poly-Ana produces dramatic stereo effects without using any tacked-on delay or chorus effects!
* All voice parameters always visible and accessible with a single click!
* GUI controls that work like the real-world items, like automatic knob detents and single-click toggles!
* Unique modulation routing scheme! All the power of modular without the tedious complications of using patch cables or a modulation matrix. And all Poly-Ana mod destinations can be modulated at audio rates!
* Waveform “morphing” creates smooth transitions between oscillator waveforms beyond simple cross-fading!
* Waveform Mod automatically morphs oscillator waveforms!
* PWM for ALL oscillator waveforms!
* Oscillator PM (Phase Modulation) allows creation of “FM synthesis” type sounds, never heard before in an analog modeled design!
* Noise Sync. Oscillators can sync to noise source as well as normal pitched tones!
* Two LFOs per voice with retriggering! Allows separate phase for each voice’s LFOs, creating echo-like modulation effects.
* Full Host-Sync for LFOs with adjustable phase offset!
* Three ADSR envelopes per voice with adjustable curves!
* Two Modulation Mixers allow for complex combinations of modulation sources through Addition, Multiplication (ring modulation) a Sample and Hold, a Full/Half Wave Rectifier, and a Lag filter!
* Unique, oversampled voice engine sounds more like real analog than any soft-synth you’ve heard yet!
* Quality control lets you reduce Poly-Ana’s CPU power requirements while recording performances.
* MIDI CC# mapping of all controls with MIDI learn. Just right click any control to set it’s CC.
* Automatic MIDI guitar controller support for 6 channel control in MIDI “Mono” mode..
* Cutoff knob smoothing, no more “zipper noise” when performing and automating filter sweeps from the front panel.
* Cutoff and resonance gang buttons. Control both filters together, or separately.
* Oscillator retriggering and starting-phase controls. Great for punchy basses and many other effects not possible on most traditional analog designs.
* Analog Drift feature, oscillators and filters can be set anywhere from rock solid, to out-of-tune unstable.
* GUI Options: User customizeable background .PNG files, optional tooltips, and an option to replace Mod Source dials with drop-down lists.
* VST instrument AND VST effect versions! Effect version can process external audio and/or use external audio as a modulation source!
* Built in bank of 128 sounds plus 2 additional user banks included and more to come on our site as users contribute them. We will never charge money for Poly-Ana patches!
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Sugar-Bytes Robotronic Vocoder
Robotronic is a superb sounding and easy to use vocoder which can process mono and stereo input signals, includes sampler and synthesizer and contains quite useful features like the Frequency Focussing and Formantshifting.
Robotronic is quite versatile:
Mono signals can be vocoded with each other
An intgrated Sampler can be used as modulator
An internal synthesizer can be used as carrier for mono and stereo inputs and sampleplayer
The Vododer features Frequency Focussing, Formant Shiftig and Transient Response Control
Both audio inputs have a complete channelstrip with Gate, Compressor and gain stage. Speech response is simply incredible! The sound is so damn crisp and clear, it’s just insane!
On the outputs you will enjoy 3 Band EQ, Compressor and a multi effects unit with four lovely signal-pimpers. This is the vocoding sound you have always dreamt of! So make your dream come true and do the Robotronic.
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